Après L’ondée is probably my most-worn Guerlain. This is because Après L’ondée is more palatable to modern tastes than the other old-school Guerlains, by which I mean that it is much less likely than its contemporaries (Shalimar, L’Heure Bleue, Jicky) to elicit gagging noises from Perfume Muggles. Après L’ondée is a somewhat utilitarian fragrance for me, since it is what I wear when I need an inoffensive perfume. But of course, Après L’ondée is so much more than inoffensive.
Après L’ondée is an exquisitely gentle fragrance, a delicate composition that tenderly evokes the smell of sweet violets soaked in rain. Its anisic top notes evoke its sister fragrance, L’Heure Bleue, but the remainder of Après L’ondée is entirely original. Après L’ondée is said to have been inspired by the Impressionist movement of its era, and it does invoke the same wistful loveliness that one sees in Monet’s water lilies or in Renoir’s lush women. Après L’ondée is frusturatingly elusive: it can only be found in two places in the world (the Paris boutique and Bergdorf Goodman), and it has absolutely zero lasting power. It’s still worth it.